LOUD ART. QUIET EVIDENCE.
THE MATERIAL /
MIS / USED takes things past their
intended use and gives them
something else to do.
Empty bottles get a second life.
Words get taken out of context.
Prints go off-script.
Mistakes occasionally get promoted
to finished work.
Working across reclaimed objects,
paint, print, cyanotype, clay and
whatever else gets dragged into the
process, MIS / USED turns the
overlooked into the hard-to-ignore.
Nothing is quite what it was. Some
things are arguably worse.
Everything gets a record.