MIS / USED moves between street-art
influence, industrial graphics,
typography, found objects and
experimental processes.

Some pieces shout.
Others sit quietly looking
suspicious.
 

The work can be funny,
uncomfortable, blunt or
deliberately open to
interpretation. 

It doesn’t need to explain every
joke or tidy up every loose end.

Materials bring their own history.
Words bring their own baggage.
The process adds a few things
neither asked for.

Not everything needs to match.
Not everything needs fixing.
And not every accident needs an
apology.